Alter ego ve personanın sanatsal faaliyetteki rolü
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Dosyalar
Tarih
2022-05-26
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Işık Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-NoDerivs 3.0 United States
Attribution-NonCommercial-NoDerivs 3.0 United States
Özet
Bu tez, artist sıfatının geçirdiği evrimi incelerken bu sıfatın içindeki değişmeyen ve değişen özellikleri ele alacaktır. Artist olan herkesin sanat yapıyor olması, sanat yapan herkesin bir artist olduğu manasına gelmemektedir. Bu yüzden metodoloji olarak antropoloji, sanat tarihi, felsefe ve sanat eleştirisi kullanılarak eserler üzerinden artist tipolojileri incelemeye alınmıştır. Bu calışmada batı sanatında artistin bir sıfat haline gelişi, özgünlük ve özgürlük meseleleri üzerinden irdelenmiştir. Ego halinde ortaya çıkan artist ile alter ego olarak beliren artist kimliği arasındaki benzerlikler ve farkılıklar ortaya konmuştur. Çalışma kapsamında farklı zamanlarda yaşamış artsistlerin ortak yanlarının özgünlük, farklılıklarının ise özgürlük olduğu tespit edilmiştir. Bu tez artistlerin postmodernizmden sonra ego ve alter ego yerine bir persona yarattığını savunuldu. Bu personanın ise artistin özgünlük ve özgürlük meselelerine aykırı olduğu vurgulandı. Türkçede sanatçı sıfat olarak kullanılmazken batıda ise “digital artist”, “photography artist”, “video artist”, “tattoo artist”, “installation artist” gibi terimler artist sıfatındaki özgürlük manasını yok edip türkçedeki sanatçı anlamına getirmektedir; bu da artistin doğasına aykırıdır. İnsanların çoğunluğunun bir sanatsal persona yaratmaya çalıştığı bu dijital çağda bilgi kirliliği oldukça fazladır. Özgünlük ve özgürlük ilkelerine özünde sahip olan artist, bir isim olarak herkesin kendine yakıştırabildiği dijital etkileşim çağımızda anlamını tamamen yitirmiştir. Bu etkileşim çağında paylaşımları ile beraber en çok öğretebilen olmak da mesele olacaktır. Geleceğin artistinin, “Bilgiyi tecrübe ettiren bir hayat öğretmeni” olması kaçınılmazdır. Bu yüzden, “Geçmiş, Günümüz, Gelecek Artist Tipolojisi” bu tezde incelenirken gelecekte olması gereken bir artist tipolojisinin de üzerinde durulmuştur.
While examining the evolution of the adjective artist, this thesis will deal with the constant and changing features of meaning of this adjective. The fact that someone who is making art is an artist, does not constitute that someone who makes art is an artist. For this reason, artist typologies have been examined through works by using anthropology, art history, philosophy and art criticism as a methodology. In this study, the artist's becoming an adjective in western art is examined through the issues of originality and freedom. The similarities and differences between the identity of the artist who appears as an ego and the identity of an artist who appears as an alter ego are revealed. Within the scope of the study, it has been determined that the common aspects of the artists who lived at different times are originality and their differences are freedom. This thesis argued that after postmodernism artists create a persona instead of ego and alter ego. This study emphasized that this persona is in contrary to the artist's originality and freedom issues. Therefore, while artist is not used as an adjective in Turkish language, terms such as "digital artist", "photography artist", "video artist", "tattoo artist", "installation artist" in the Western languages destroy the meaning of freedom in the adjective sense of the artist and descend it to the meaning of artist in Turkish language. This is against the very nature of the artist. In this digital age, where the majority of people are trying to create an artistic persona, there is a lot of information pollution. Having the principles of originality and freedom at its core, the artist has completely lost its meaning in our age of digital interaction, which everyone can attribute to himself as a name. In this age of interaction, it will also be an issue to be the one who can teach the most with their sharing. It is inevitable for the artist of the future to be a “life teacher who gives knowledge to experience”. Therefore, while examining the "Past, Present, Future Artist Typology" in this thesis, an artist typology that should be in the future is also emphasized.
While examining the evolution of the adjective artist, this thesis will deal with the constant and changing features of meaning of this adjective. The fact that someone who is making art is an artist, does not constitute that someone who makes art is an artist. For this reason, artist typologies have been examined through works by using anthropology, art history, philosophy and art criticism as a methodology. In this study, the artist's becoming an adjective in western art is examined through the issues of originality and freedom. The similarities and differences between the identity of the artist who appears as an ego and the identity of an artist who appears as an alter ego are revealed. Within the scope of the study, it has been determined that the common aspects of the artists who lived at different times are originality and their differences are freedom. This thesis argued that after postmodernism artists create a persona instead of ego and alter ego. This study emphasized that this persona is in contrary to the artist's originality and freedom issues. Therefore, while artist is not used as an adjective in Turkish language, terms such as "digital artist", "photography artist", "video artist", "tattoo artist", "installation artist" in the Western languages destroy the meaning of freedom in the adjective sense of the artist and descend it to the meaning of artist in Turkish language. This is against the very nature of the artist. In this digital age, where the majority of people are trying to create an artistic persona, there is a lot of information pollution. Having the principles of originality and freedom at its core, the artist has completely lost its meaning in our age of digital interaction, which everyone can attribute to himself as a name. In this age of interaction, it will also be an issue to be the one who can teach the most with their sharing. It is inevitable for the artist of the future to be a “life teacher who gives knowledge to experience”. Therefore, while examining the "Past, Present, Future Artist Typology" in this thesis, an artist typology that should be in the future is also emphasized.
Açıklama
Text in Turkish ; Abstract: Turkish and English
Includes bibliographical references (leaves 204-212)
x, 2112 leaves
Includes bibliographical references (leaves 204-212)
x, 2112 leaves
Anahtar Kelimeler
Ego, Alter ego, Persona, Artist, Davranış biçimi, Özgünlük, Özgürlük, Avatar, Behavior, Genuineness, Freedom
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Akerson, C. (2022). Alter ego ve personanın sanatsal faaliyetteki rolü. İstanbul: Işık Üniversitesi Lisansüstü Eğitim Enstitüsü.
