Bedensel dokunuşların izleri
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Dosyalar
Tarih
2015-05-14
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Işık Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-NoDerivs 3.0 United States
Attribution-NonCommercial-NoDerivs 3.0 United States
Özet
Tarih öncesi devirlerden bu yana kullanılan bir teknik olan iz alma/bırakmanın, oluşum ve uygulama alanları açısından incelenmesinin ilginç olacağı fikrinden hareketle hazırlanan bu tezde bedensel dokunuşun izini taşıyan ve Charles Sanders Peirce’in index adı verdiği bazı imgelerden örnekler vermeye çalıştık. Çalışmanın ilk bölümünü izin oluşumuna, niçin bir teknik olarak kabul edilmesi gerektiğine, ve onun yardımıyla oluşturulan bir imgenin sahip olduğu özellikleri (diyalektik, anakronik, tinsel vb.) incelemeye ayırdık. Bunu yaparken tarih öncesi devirlerden bazı duvar resimlerinin yanısıra bazı kutsal emanetlerden de örnekleri, imge üzerine düşünsel ürünler vermiş sanat kuramcılar ve felsefecilerin görüşleri eşliğinde sunduk. İkinci bölümdeyse bedensel dokunuşun izinin yine bedene aktarıldığı uygulamalara eğildik. Bedenin iz çıkarma yoluyla hakkedildiği ya da damgalandığı ilkel topluluklarda dövme, yakma ve yaralama gibi kalıcı vücut tadilatlarının yanı sıra, Türk ve Doğu toplumlarına özgü bir işaretleme şekli olan mühür ve tamganın kullanım alanları ile işlevlerine, izle olan organik bağlarına değindik. Üçüncü bölümde beden-kitap analojisinden hareketle, öncelikle kitabı oluşturan öğelerden yazı ardından kağıdın tarihi gelişimine ve nihayet kağıt damgalarının oluşum ve işlevine göz attık. Kilden kağıda ve kitaba uzanan dönüşümü konu etmemek olmazdı kaldı ki bu, konusu iz olan bir çalışmada bedensel dokunuşun iziyle çoğaltılan metinlerin varlığını ıskalamak demekti. Kitapla ilgili olarak, ona vurulan damganın, izin aktarımını ne şekilde üstlendiğine, yer verdik. Ekslibris ve pul konularına ayırdığımız dördüncü ve son bölümde ise bu iki imgeyi daha iyi anlayabilmek ve çözümleyebilmek adına kısaca tarihlerine değindikten sonra, iz ve temsil yönünden okumaya çalıştık.
In this thesis, emerging from the idea that making/leaving marks, as a technique used ever since prehistorical times, we tried to give a couple of examples from some images that carry marks of bodily touches and which have been referred to as index by Charles Sanders Pierce. The first part of the work mainly focuses on the formation of marks, on why mark should be acknowledged as a technique, and on the various aspects (e.g dialectical, anachronical, spiritual) that an image formed by this means could possess. While doing this, we cited some examples of prehistorical mural paintings as well as holy relics, presented along with the thoughts and comments of various philosophers and theorists known to have yielded some intellectual work on image. The second part has been addressed to practices in which the marks of bodily touch is again passed on the body itself. We depicted some lasting bodily alterations applied by primitive tribes where the body is etched or imprinted so as to leave a permanent mark, as well as the usages and functions of sealing and stamping typical to Turkish and Oriental cultures and their organic ties with marks. The third part, driven by the body-book analogy, is primarily a review of the historical development of paper following the invention of writing systems that constitute the book, and finally the formation and function of paper stamps. In a work pivoted around the concept of mark it was inevitable to point out at the transition process from clay to paper and eventually to books, as that would come to mean ignoring the presence of texts reproduced through marks of bodily touches. Thus, in relation with books, we dealt about the marks or labels made on books and how these marks have served as transferring agents of mark. The fourth and the final part exclusively reserved for “ex libris” and stamps consists of a brief history of both elements, and as an attempt to comprehend and analyze these two images, deals with them within the context of mark and representation.
In this thesis, emerging from the idea that making/leaving marks, as a technique used ever since prehistorical times, we tried to give a couple of examples from some images that carry marks of bodily touches and which have been referred to as index by Charles Sanders Pierce. The first part of the work mainly focuses on the formation of marks, on why mark should be acknowledged as a technique, and on the various aspects (e.g dialectical, anachronical, spiritual) that an image formed by this means could possess. While doing this, we cited some examples of prehistorical mural paintings as well as holy relics, presented along with the thoughts and comments of various philosophers and theorists known to have yielded some intellectual work on image. The second part has been addressed to practices in which the marks of bodily touch is again passed on the body itself. We depicted some lasting bodily alterations applied by primitive tribes where the body is etched or imprinted so as to leave a permanent mark, as well as the usages and functions of sealing and stamping typical to Turkish and Oriental cultures and their organic ties with marks. The third part, driven by the body-book analogy, is primarily a review of the historical development of paper following the invention of writing systems that constitute the book, and finally the formation and function of paper stamps. In a work pivoted around the concept of mark it was inevitable to point out at the transition process from clay to paper and eventually to books, as that would come to mean ignoring the presence of texts reproduced through marks of bodily touches. Thus, in relation with books, we dealt about the marks or labels made on books and how these marks have served as transferring agents of mark. The fourth and the final part exclusively reserved for “ex libris” and stamps consists of a brief history of both elements, and as an attempt to comprehend and analyze these two images, deals with them within the context of mark and representation.
Açıklama
Text in Turkish ; Abstract: Turkish and English
Includes bibliographical references (leaves 73-76)
ix, 77 leaves
Includes bibliographical references (leaves 73-76)
ix, 77 leaves
Anahtar Kelimeler
Beden, Ekslibris, İz, Kağıt damgası, Mühür, Body, Mark, Paper stamp, Seal
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Demir, B. Ü. (2015). Bedensel dokunuşların izleri. İstanbul: Işık Üniversitesi Sosyal Bilimler Enstitüsü.
