Sanat alıcılarının sanatı değerlendirme yaklaşımları: Türkiye örneği
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Dosyalar
Tarih
2017-06-23
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Işık Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-NoDerivs 3.0 United States
Attribution-NonCommercial-NoDerivs 3.0 United States
Özet
Çalışma, koleksiyoncuların sanat dünyasındaki yerini ve bakış açılarını, sanat eseri satın alma süreçlerini ve teorik çalışma sonrası Türkiye örneğini araştırmak üzerine yapılandırılmıştır. Merkeze koleksiyoncular alınarak, onların gözünden, çevrelerindeki karmaşık, şahsi ve politik ilişkiler ağının yapısı ve katmanları ortaya konarak, bu dinamik ağın ortak bir sanat değeri oluşturma süreçleri sorgulanmıştır. Çalışmanın amacı, koleksiyonculuğun bireysel değil sosyal açıdan incelenmesi konusunu araştırmak, koleksiyoncuların sanat piyasasındaki duruş ve güçlerini anlamak, Türkiye’de koleksiyoncuların çağdaş sanat eseri satın alma kararının arkasındaki rasyonel ve irrasyonel sebep ve süreçlerini incelerken, sanat kurumlarının rolünü ortaya çıkarmaktır. Araştırma, koleksiyoncularla derinlemesine mülakatlar, sanatçı ve sanat profesyonelleri ile yapılan görüşmeler sonucunda ortaya çıkan bulguların derlenip, analiz edildiği nitel araştırmadır. Sonuç olarak, koleksiyoncuların çevresinde oluşan ilişkiler ağının yapısı ve katmanları ortaya konmuş, Türk sanat ortamının işleyişi belirlenmiş, sanat kurumlarının görev ve sorumlulukları ile ilgili sorunlar ortaya çıkmış, bireysel koleksiyoncunun sanat dünyasının önemli öğesi olduğu teyit edilmiştir.
In the contemporary arts practice, there are vital institutions serving the production, distrubution and consumption of the artefacts which directly affects the value of art. This study is structured on investigating art collectors' positions and perspectives in the Artworld, their process of decision-making and following theoretical work, the example of Turkish contemporary art market. Placing the collectors at the center of the Artworld, the process of creating a compromised value of art is questioned by examining the structure and layers of the complex, personal and political relations surrounding them. The purpose of the study is to understand the stance and power of the collectors in the art market and to reveal the role of the art institutions by analyzing the rational and irrational causes and processes behind the decisions of the Turkish art collectors to buy contemporary art. In this frame, Turkish collectors' attitudes and perspectives in the Artworld are taken and the details about the mechanism of the contemporary art market in Turkey are obtained. The study is a qualitative research in which the findings of the in-depth interviews with collectors, artists and art professionals are compiled and analyzed. As a result, the functioning of the Turkish art scene is determined, problems related to the duties and responsibilities of the art institutions are emerged. As the intellectual capital, information and trust are prerequisites for a sound relationship network, this research challenged their existence in Turkish Artworld. Solutions, priorities and preferences are discussed how to establish a sound art practice.
In the contemporary arts practice, there are vital institutions serving the production, distrubution and consumption of the artefacts which directly affects the value of art. This study is structured on investigating art collectors' positions and perspectives in the Artworld, their process of decision-making and following theoretical work, the example of Turkish contemporary art market. Placing the collectors at the center of the Artworld, the process of creating a compromised value of art is questioned by examining the structure and layers of the complex, personal and political relations surrounding them. The purpose of the study is to understand the stance and power of the collectors in the art market and to reveal the role of the art institutions by analyzing the rational and irrational causes and processes behind the decisions of the Turkish art collectors to buy contemporary art. In this frame, Turkish collectors' attitudes and perspectives in the Artworld are taken and the details about the mechanism of the contemporary art market in Turkey are obtained. The study is a qualitative research in which the findings of the in-depth interviews with collectors, artists and art professionals are compiled and analyzed. As a result, the functioning of the Turkish art scene is determined, problems related to the duties and responsibilities of the art institutions are emerged. As the intellectual capital, information and trust are prerequisites for a sound relationship network, this research challenged their existence in Turkish Artworld. Solutions, priorities and preferences are discussed how to establish a sound art practice.
Açıklama
Text in Turkish ; Abstract: Turkish and English
Includes bibliographical references (leaves 118-127)
viii, 138
Includes bibliographical references (leaves 118-127)
viii, 138
Anahtar Kelimeler
İlişkiler ağı, Koleksiyoncu, Sanat dünyası, Sanat kurumları, Sanat piyasası, Art institutions, Art market, Artworld, Collector, Network
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Kaya, G. (2017). Sanat alıcılarının sanatı değerlendirme yaklaşımları: Türkiye örneği. İstanbul: Işık Üniversitesi Sosyal Bilimler Enstitüsü.
