Sanatta kolektivite ve eylemselliğin estetiği
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Dosyalar
Tarih
2015-12-23
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Işık Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Attribution-NonCommercial-NoDerivs 3.0 United States
Attribution-NonCommercial-NoDerivs 3.0 United States
Özet
Bu çalışma sanatın kolektiviteyle ilişkisi bağlamında eylemsel pratiklerin estetik olduğu önermesini ileri sürmektedir. Bu çalışma, önermesini avangard olgusunun sanat-hayat ilişkisi bağlamından hareketle, sanatın bir deneyim yaratma aracı olarak siyasal olduğuna, eylemsel oluşun da siyasal vurgusu yanında kolektif bir deneyim yaratma yoluyla yeni hayat olanakları ortaya koymakla estetik olduğuna dayandırmaktadır. Çalışma özellikle 2000’li yıllarda sıklıkla görülmeye başlanan neoliberal politikalara karşı, kamusal alanı kullanma saikiyle düzenlenen sivil itaatsizlik eylemlerinin, estetik ile ilişkisini kuramsal bir temel üzerine yerleştirmeye odaklanmıştır. Çalışmanın çerçevesini Terry Eagleton, Jacques Ranciére, Gilles Deleuze, Felix Guattari gibi düşünürlerin kuramsal önerileri ve sensorium, rhizome, minörite-majorite ve çokluk gibi kavramları oluşturmaktadır.
This study argues that actual practices are esthetics within the context of the relationship between art and collectivity. It suggests that within the art and life relationship there is an avant-garde fact that art creates experience, therefore is political and its very existence accentuates a political emphasis that creates a collective experience that produces many new life opportunities that are based on aesthetics. The work especially emphasizes the counter neoliberal politics that are frequently observed in the 2000’s, in civil obedience movements for the demand of public space, focuses on basing its concept on its relationship with aesthetics. The frame of the study is based on the likes of Terry Eagleton Jacques Ranciére, Gilles deleuze, Felix Guattari, conceptual suggestions of these philisophers based on sensorium, rhizome, singularity and amplitude.
This study argues that actual practices are esthetics within the context of the relationship between art and collectivity. It suggests that within the art and life relationship there is an avant-garde fact that art creates experience, therefore is political and its very existence accentuates a political emphasis that creates a collective experience that produces many new life opportunities that are based on aesthetics. The work especially emphasizes the counter neoliberal politics that are frequently observed in the 2000’s, in civil obedience movements for the demand of public space, focuses on basing its concept on its relationship with aesthetics. The frame of the study is based on the likes of Terry Eagleton Jacques Ranciére, Gilles deleuze, Felix Guattari, conceptual suggestions of these philisophers based on sensorium, rhizome, singularity and amplitude.
Açıklama
Text in Turkish ; Abstract: Turkish and English
Includes bibliographical references (leaves 138-142)
viii, 143 leaves
Includes bibliographical references (leaves 138-142)
viii, 143 leaves
Anahtar Kelimeler
Avangard, Eylemsellik, Kamusal sanat, Kolektivite, Actual practices, Avant-garde, Collectivity, Public art, Sensorium
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Erel, G. (2015). Sanatta kolektivite ve eylemselliğin estetiği. İstanbul: Işık Üniversitesi Sosyal Bilimler Enstitüsü.
