7 sonuçlar
Arama Sonuçları
Listeleniyor 1 - 7 / 7
Yayın Depictions of prophet Solomon In Christian icons and Ottoman Miniature Art(Univ Agean, 2014) Şarlak, Evangelia; Onurel, RuhiyeFrom the paganism to the rise of monotheism and onwards, kings and rulers have introduced religion as part of their conduct in the socio-political construct of the society. One of the great rulers of the Old Testament, Solomon has been an important figure not only in Hebrew history but also in Christian and Islamic traditions.The purpose of this study is to make an iconographical evaluation of Solomon's depictions in mural paintings and mosaics of Christian tradition and Ottoman illuminated manuscripts with regard to the typology and evolution of an idealized sense of imperial rule.Yayın Deprem sonrası Hatay ve kültürel mirasın sürdürülebilirliği(Tempo 24 Basın Yayın Prodüksiyon, 2024-01) Şarlak, EvangeliaHatay’a ilişkin kültürel miras çalışmalarına katıldığım ilk günden beri gözlemlediğim bazı unsurlar, bu çalışmaların olası risklerle karşı karşıya olduğunu gösteriyor.Yayın Rum Architects and their Domed Greek Orthodox Churches that marked the change in the physical features of Istanbul(Atatürk Üniversitesi, 2022-03-28) Şarlak, EvangeliaThe cosmopolitan characteristic of Istanbul, expresses itself clearly not only in the political, economic and social domains but also in that of architecture, the traces left by different cultures and creeds. With the Non-Muslim Regulation issued after the conquest of Istanbul, it is stated that Christian and Jewish communities can live their religious lives freely. While the architectural activities continue within the determined rules, the construction of the dome and the lead coating of the dome are prohibited within the framework of these rules. With the Tanzimat Edict of 1839, non-Muslim Ottomans were granted equal rights with Muslims, Concrete steps were taken with the 1856 Reform Edict . On this date, with the permission given for the construction of new churches and domes, domed churches began to be built in Istanbul.Yayın Stylistic analysis of the Holy Icons from Saint George Church in Yenikoy, Istanbul(Athens Institute for Education and Research (ATINER), 2024-04) Onurel, Ruhiye; Şarlak, EvangeliaThe main subject of the research is to analyse the multi-themed sacred proskynetarion icons in Yeniköy Ayios Yeoryios (St. George) Metochion Church, one of the three metochion churches of the Jerusalem Orthodox Patriarchate in Istanbul. Although it is known that the icons found in the metochion churches in Istanbul have not been studied before, the icons belonging to the church in Yeniköy from these structures were included in the research. Due to the limitations of the article, which prevented the evaluation of all the icons in the church, the research focused solely on the technical and stylistic features of the multi-themed proskynetarion icons. Proskynetarions, also known as the pilgrim icons, contain depictions of the Church of the Holy Sepulcher in Jerusalem due to their characteristics. The presence of proskynetarions in this place is directly related to the fact that Yeniköy Ayios Yeoryios Church is a Metochion affiliated to the Jerusalem Patriarchate. Icons are accepted as important works of art in the frame of art history, as well as their liturgical role as manifestation and visual representations of the sacred. It is important to reveal such previously unpublished works, to evaluate them iconographically and to bring them to the art history literature with their semantic context. In the study, a brief historical overview of the status of the Jerusalem Orthodox Patriarchate and the relations between the two patriarchates is presented. At the same time, the location of the building, the architectural plan type, the periodical features in the exterior and interior decoration are mentioned.Yayın Ortodoks kiliselerde kültürel mirasın dijital belgelenmesinde paydaş katılımının önemi üzerine bir değerlendirme(Atatürk Üniversitesi, 2024-09-27) Kaya, Güldehen; Şarlak, Evangelia; Bektaş, Gülce ZeynepKültürel mirasa konu olan varlıkların dijital olarak kaydedilmesi, geçmişe ait bilgilerin eksilmeden günümüze taşınarak korunmasını, yaşayan mirasın şimdi ve gelecekte başvurulması için kalıcı ve dinamik bir dijital envanter oluşturulmasını, varlıkların bilgi ve değerinin anlaşılmasını sağlayarak toplumla paylaşılmasını ve kültürlerarası iletişimin güçlendirilmesini mümkün kılan önemli bir süreçtir. Kültürel varlıkların ilgili paydaşlarının doğru ve eksiksiz bir şekilde belirlenmesi, belgelenme ihtiyaçlarının tespit edilmesi ve bu süreçte dijital belgelemenin ötesinde karar verme ve uygulama aşamalarında paydaşların dahil edilmesi, projelerin başarıya ulaşmasında kritik öneme sahiptir. Bir Erasmus+ Projesi olan Narrate kapsamındaki araştırmayı konu alan Türkiye’deki Ortodoks kilise varlıklarının, müzelerdeki gibi işlevselliğini yitirmiş ve artık aktif olarak kullanılmayan donmuş objeler yerine, halen aynı değer ve bağlamda kullanılmakta olduklarını, geleneklerin ifadesi olarak ve rituellerin sembolik ve kutsal değerini taşıyan ve yerin ruhunu en iyi temsil eden yaşayan kültürel miras olarak tanımlamak gerekir. Bu nedenledir ki, bu varlıklara atfedilen tüm değerlerinin sahipleri/koruyucuları ve kullanıcıları olan Rum Ortodoks kiliselerinin tüm paydaşlarının, belgeleme ihtiyaçlarının belirlenmesi ve sonrasında planlamanın her aşamasına katılması elzemdir. Bu yaklaşım, çokkültürlülüğün getirdiği zenginlik ve kültürlerarası, dinler arası diyaloğun gelişmesini destekleyen bilgiye, saygıya, katılımcılığa ve anlayışa dayalı önemli bir diyalog alanı oluşturacaktır.Yayın Preserving ecclesiastical cultural heritage of thrace: a needs analysis for digital recording in monasteries and temples(MDPI, 2025-02) Stamou, Aikaterini; Nassis, Fr Chrysostomos; Chrysafi, Eleni; Sylaiou, Stella; Kaya, Güldehen; Şarlak, Evangelia; Ribolov, Svet; Karavaltchev, Ventzislav; Constantinides, Argyris; Belk, Marios; Stylianidis, EfstratiosCultural heritage is a common good passed down as a legacy from previous to future generations. Its preservation is a strong commitment to humanity. The main motivation for this project is based on this understanding and arose from the need for the proper and scientifically documented recording of cultural heritage (CH), both movable and immovable monuments of ecclesiastical cultural treasures. Despite its significance, the systematic documentation of ecclesiastical heritage remains fragmented, lacking a standardized and scientifically driven approach. This research addresses this critical gap by developing a structured methodology for the recording, organization, and digital archiving of ecclesiastical CH monuments. This was accomplished by codifying the actual recording and documentation needs for the ecclesiastical cultural treasures, with the systematic study of the users’ needs. The study focused on the region of Thrace, encompassing areas of Greece, Turkey, and Bulgaria, where post-Byzantine ecclesiastical treasures are expected to be in abundance. Through the design and implementation of surveys and metadata collection, this project has the capacity to facilitate digital transformation across the interconnected fields of religion, arts, and CH. Stakeholders from diverse backgrounds, both within and outside the clergy community, including owners and end-users connected to ecclesiastical cultural treasures, were actively involved in the process. The COVID-19 pandemic underscored the vital role of building distance communication channels and promoting digital transformation across the interconnected fields of religion and cultural heritage. Our emphasis was to actively engage stakeholders from diverse backgrounds to create a practical, user-friendly documentation tool that meets their actual needs.Yayın A digital platform for heritage data sharing: the ecclesiastical repository for ecclesiastical treasures in the NARRATE project(International Society for Photogrammetry and Remote Sensing, 2025-10-01) Stamou, Aikaterini; Tsifodimou, Zoi-Eirini; Constantinides, Argyris; Belk, Marios; Evangelidis, Konstantinos; Sylaiou, Stella; Nassis, Fr Chrysostomos; Chrysafi, Eleni; Kaya, Güldehen; Şarlak, Evangelia; Ribolov, Svet; Karavaltchev, Ventzislav; Spirova, Polina; Stylianidis, EfstratiosCultural Heritage (CH) is a shared legacy, and its preservation reflects a collective responsibility to safeguard our common history. The ERASMUS+ project NARRATE - Needs for Digital Recording and Documentation of Ecclesiastical Cultural Treasures in Monasteries and Temples, funded by the European Union, aimed to preserve both tangible and intangible ecclesiastical heritage through the creation of a digital repository. NARRATE focused on the structured documentation of ecclesiastical CH and the management of a digital archive tailored to the needs of the clergy, many of whom are unfamiliar with digital tools. Through user-centered surveys, the project integrated the clergy's perspectives to ensure the tools developed were accessible and relevant. The repository comprises two components: i) the Interactive Dashboard, allowing users to manage ecclesiastical artifacts and access educational materials, and ii) the NARRATE Server, which comprises a Web application that enables end-users and third-party services to interact with it and exchange data, ensuring interoperability through CIDOC-based semantic metadata. Alongside, NARRATE offers multilingual educational resources, including videos and guides, designed for both clergy and the wider public. This fosters engagement in cataloguing, metadata annotation, and digital storytelling. NARRATE provides an inclusive platform for clergy, scholars, and the public to explore, preserve, and appreciate under-documented ecclesiastical treasures, contributing in this way to a cross-cultural understanding and sustainable heritage preservation.
