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Yayın Motif-oriented characteristics of the Turkish carpets illustrated in English aristocratic portrays of renaissance and effects of the carpets on British carpet production(Ahmet Kara, 2021-08-31) Kalyoncu, HülyaThe Turkish carpets with a great importance in world’s carpet history have their origins in Pazırık Carpet, the world’s oldest and the first knotted carpet which was produced by the Central Asian Turks. Carpet tradition of Turks was kept by the Anatolian Seljuk Empire. It had its golden age with the naturalist carpets woven in Bursa and its vicinity in the 16th century that corresponds to the Ottoman period. The Turkish carpets included in the religion and society-thematic paintings made in Renaissance period by the European painters in various countries were regarded as the expression of wealth and magnificence. The Ottoman-Turkish carpets illustrated in portraits of the English aristocrats as well influenced the English carpet art in addition to adding aesthetic values to the paintings. In this study performed in this context, literature of the portraits of English aristocrats that involve Turkish carpets was reviewed. Besides, painters of the paintings, the aristocrat’s portrayed and motif-oriented characteristics of the Turkish carpets were addressed in detail. It was aimed to reveal the place of the carpets addressed within the discipline of art history, in Turkish cultural history and their effects on the British carpet production. In conclusion, it was turned out that they place premium on Turkish culture and art.Yayın Philosophical architectonics and theatricality in Gilles Deleuze’s theory(Mersin Üniversitesi, 2021-10) Hatipoğlu, ÖzümTheatricality, as a methodological basis of Deleuze’s theory, insinuates a new thought of Being/beings by emancipating philosophy from its anthropological orientation. Despite the fact that the phenomenological methodologies attempted to link the transcendental with the empirical domain, the source of reflexivity was still the subject. Deleuze’s ontological repetition maintains the infinite reflection of the transcendental and the empirical domains into each other, yet it posits the symbolic order as the third order where the infinite reflexive expansion between concept and matter becomes immanently transcended. By taking this formulation as its point of departure, this article analyzes how Deleuze’s notion of theatricality operates as the self-reflexive and excessive origin of thought.Yayın Painting education & artistic evolution(Elsevier Science BV, 2012) Tandırlı, EmreArt is the most effective way of expressing human emotions. It should also be an excellent application of traditional or technological tools. In our presentation-research we will be focusing on painting, painting education and advanced artistic evolution process in terms of traditional application domains. An immortal painting-masterpiece should be the competent example of an excellent composition and also a perfect example of application. Preparation of painting tubes, choice of pertinent and correct brushes, preparations of palette etc. are all the basic stuffs which provides to create an accomplished painting. An intensive professional experience of painting materials should unfortunately provides a certain maturity. But in art schools or academies during and after the basic art education, an intensive basic painting education is inevitably required in order to provide solid art styles in next academic and professional periods. The purpose of our research is to clarify some educational methods of applications crafts in painting. The first important process is the circumstantiation of all materials and tools and their pertinent uses. After preparing the application stuff and choosing correct materials, the students will be processing on painting application. As a result by the correct methods which require dedicated preparation of palette and all stuffs would supply a very enjoyable working time and also it provides a dominant property in order to create artistic expressions. This essential working discipline acquired by the academic painting education prevents also the lost of time and motivation which could easily indispose us from painting applications. So isn't it effectual in any domain? Isn't the solidity of the achievement is measured by pre-educational sub construction?Yayın Depictions of prophet Solomon In Christian icons and Ottoman Miniature Art(Univ Agean, 2014) Şarlak, Evangelia; Onurel, RuhiyeFrom the paganism to the rise of monotheism and onwards, kings and rulers have introduced religion as part of their conduct in the socio-political construct of the society. One of the great rulers of the Old Testament, Solomon has been an important figure not only in Hebrew history but also in Christian and Islamic traditions.The purpose of this study is to make an iconographical evaluation of Solomon's depictions in mural paintings and mosaics of Christian tradition and Ottoman illuminated manuscripts with regard to the typology and evolution of an idealized sense of imperial rule.
