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Yayın Painting education & artistic evolution(Elsevier Science BV, 2012) Tandırlı, EmreArt is the most effective way of expressing human emotions. It should also be an excellent application of traditional or technological tools. In our presentation-research we will be focusing on painting, painting education and advanced artistic evolution process in terms of traditional application domains. An immortal painting-masterpiece should be the competent example of an excellent composition and also a perfect example of application. Preparation of painting tubes, choice of pertinent and correct brushes, preparations of palette etc. are all the basic stuffs which provides to create an accomplished painting. An intensive professional experience of painting materials should unfortunately provides a certain maturity. But in art schools or academies during and after the basic art education, an intensive basic painting education is inevitably required in order to provide solid art styles in next academic and professional periods. The purpose of our research is to clarify some educational methods of applications crafts in painting. The first important process is the circumstantiation of all materials and tools and their pertinent uses. After preparing the application stuff and choosing correct materials, the students will be processing on painting application. As a result by the correct methods which require dedicated preparation of palette and all stuffs would supply a very enjoyable working time and also it provides a dominant property in order to create artistic expressions. This essential working discipline acquired by the academic painting education prevents also the lost of time and motivation which could easily indispose us from painting applications. So isn't it effectual in any domain? Isn't the solidity of the achievement is measured by pre-educational sub construction?Yayın First domino tile in the social innovation process: idea creation of university students(IEEE, 2016-09-08) Yıldırım, Nihan; Ansal, HacerInterrelations between creativity, innovativeness and entrepreneurial skills of individuals have long been discussed in the literature. Due to the challenges regarding their measurement, most studies focused on the intentions rather than the outcomes. The idea generation that requires creativity is the first stage of social innovation. The young population's creative potentials in participating social innovation practices deserve a special attention as they play a critical role in the innovativeness and entrepreneurship of societies. This study aims to explore the factors that determine the creative intentions of university students that are important in generating social innovation projects. A structured survey based on the literature was conducted among 600 management and engineering students from 3 universities from the different percentiles of the Entrepreneurial and Innovative University Index for 2012 of the Turkish Ministry of Science, Industry and Technology. The survey included questions on the demographic characteristics, environmental factors, motivators, university/institutional context, perceptions and creative thinking attitudes. By conducting reliability and factor analysis, accuracy and validity of data is tested and the impact factors were identified. Findings reveal that visionary attitude, curiosity, exploration and learning, attitude for own creativity, self-esteem, perception about the learnability of creativity, university and social environment are components of creative thinking intentions of students and some of these factors vary by year of study and university.
